{"id":85,"date":"2014-05-16T06:13:50","date_gmt":"2014-05-16T06:13:50","guid":{"rendered":"http:\/\/klangmedium.de\/?page_id=85"},"modified":"2020-09-19T10:16:57","modified_gmt":"2020-09-19T10:16:57","slug":"publikationen","status":"publish","type":"page","link":"http:\/\/klangmedium.de\/?page_id=85","title":{"rendered":"Publikationen"},"content":{"rendered":"<p>Aktuelle Features, Reviews und in Workshops erscheinen auf dem Musikerportal <strong>Bonedo<\/strong>. Hier eine <a href=\"https:\/\/www.bonedo.de\/autor\/information\/matthias-sauer.html\">\u00dcbersicht<\/a> aller ver\u00f6ffentlichter Artikel.\u00a0Seit 1993 sind zahlreiche Beitr\u00e4ge in bekannten Printmagazinen (<strong>tastenwelt<\/strong>, <strong>KEYS<\/strong>) erschienen.\u00a0Hier eine Auswahl bisheriger Workshops, Reportagen und Specials:<\/p>\n<ul>\n<li>Synthesizer-Workshop: KEYS 03\/1995 bis 08\/1995 (Thema: Praxisarbeit mit Yamaha SY99)<\/li>\n<li>Beat-Programming (mit Audio-Demos und Klangdaten): KEYS 12\/2004 bis 05\/2005 (Thema: Groove mit der Software NI Limelite Solo)<\/li>\n<li>Sound-Workshop (mit Audio-Demos): Tastenwelt 06\/2006 bis heute Themen: Imitation von Blas- und anderen akustischen Instrumenten, SubtraktiveSynthese, FM-Synthese, Sounds der 1980er Jahre, Soundeffekte, Stimmen und Ch\u00f6re, etc.)<\/li>\n<li>Synth-Zone (mit Audio-Demos und Klangdaten): KEYS 07\/08 bis 09\/08 (Thema: Komponieren mit Yamaha Tenori-On, Praxistipps und Sound)<\/li>\n<li>Predator-Zone (mit Audio-Demos und Klangdaten): KEYS 07\/10 und 08\/10 (Thema: Sound-Design mit Software-Synthesizer Predator von Rob Papen)<\/li>\n<li>Workshop Apple iPad: Tastenwelt 01\/2011 bis heute (Themen: Soloinstrumente, Matrix Sequencer, Notation, Musikstudio, SoundCloud, u.a.)<\/li>\n<li>Workshop Digital Mixen: Tastenwelt 06\/2012 \u2013 03\/2013 (Thema: Praxiseinsatz des Digitalmischer PreSonus StudioLive)<\/li>\n<li>Workshop Motif Exploring Sound, Serie im Yamaha Music Produktion Guide (seit Ausgabe 02\/2012)<\/li>\n<li>Arrangement bei der Musikproduktion: Das richtige Arrangement. Die halbe Miete, in KEYS 11\/1998, S. 26-30.<\/li>\n<li>Retro Zone &#8211; Portraits klassischer Synthesizer und anderer Tasteninstrumente Roland D-50 Synthesizer (KEYS 02\/2000, S. 132-136), Moog Minimoog Synthesizer (KEYS 05\/2000, S. 108-114), Roland Jupiter-8 Synthesizer (KEYS 10\/2000, S. 54-60), <a href=\"http:\/\/www.tasteundtechnik.de\/109406.html\" target=\"_blank\" rel=\"noopener noreferrer\">Fender Rhodes E-Piano<\/a> (KEYS 01\/2001, S. 56-62), Yamaha DX (KEYS 03\/2001, S. 70-76), Korg M1 Workstation (KEYS 12\/2001, S. 40-46)<\/li>\n<li>FM-Synthese; Historie, Praxis und Produkttest: Special: FM-Synthese, in KEYS 12\/2006, S.18-32.<\/li>\n<li>Firmenportr\u00e4t Korg Japan: We are Family, in: KEYS 03\/2007, S. 34f. Anl\u00e4sslich des \u201eInternational Press Event\u201c in Tokio (12\/2006)<\/li>\n<li>Bl\u00e4ser-Imitation: Akustische Bl\u00e4ser aus dem Rechner, in KEYS 12\/2008, S. 34-44.<\/li>\n<li>Portr\u00e4t Popakademie Baden-W\u00fcrttemberg: Starthilfe ins Musikgesch\u00e4ft, in: KEYS 01\/2010, S.24-31.<\/li>\n<li>Umh\u00e4nge-Keyboards: Rollenwechsel, Keytars: Die R\u00fcckkehr der Umh\u00e4nge-Keyboards, in: Tastenwelt 04\/2010, S. 22-25.<\/li>\n<\/ul>\n<p>Zudem war ich bei einigen <strong>Guide Books<\/strong> von Yamaha Europa beteiligt &#8211; eine Auswahl:<\/p>\n<ul>\n<li>Praxisbuch (zusammen mit Peter Krischker) <a href=\"http:\/\/www.amazon.de\/Yamaha-Motif-Praxisbuch-Basisinformation-Plug\/dp\/3833406631\" target=\"_blank\" rel=\"noopener noreferrer\">Yamaha Motif ES Praxisbuch<\/a>, 03\/2004.<\/li>\n<li>Praxisbuch (zusammen mit Peter Krischker) <a href=\"http:\/\/de.wikipedia.org\/wiki\/Yamaha_CS1X\" target=\"_blank\" rel=\"noopener noreferrer\">Yamaha CS1x Blue Book<\/a> (deutsch\/englisch), 08\/1997.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aktuelle Features, Reviews und in Workshops erscheinen auf dem Musikerportal Bonedo. Hier eine \u00dcbersicht aller ver\u00f6ffentlichter Artikel.\u00a0Seit 1993 sind zahlreiche [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-85","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/pages\/85","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/klangmedium.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=85"}],"version-history":[{"count":20,"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/pages\/85\/revisions"}],"predecessor-version":[{"id":256,"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/pages\/85\/revisions\/256"}],"wp:attachment":[{"href":"http:\/\/klangmedium.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=85"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}