{"id":104,"date":"2014-05-16T06:40:48","date_gmt":"2014-05-16T06:40:48","guid":{"rendered":"http:\/\/klangmedium.de\/?page_id=104"},"modified":"2025-11-02T08:59:51","modified_gmt":"2025-11-02T08:59:51","slug":"forschung","status":"publish","type":"page","link":"http:\/\/klangmedium.de\/?page_id=104","title":{"rendered":"Forschung"},"content":{"rendered":"<p>Die wissenschaftliche Studie <strong><em>Leon Theremin &#8211; Instrumente und ihre Musik<\/em><\/strong> (Phil. Diss., Mainz 2006) belegt, dass die &#8211; scheinbar historische &#8211; Thereminvox nicht als Exponat im Technik-Museum verweilt, sondern seit Mitte der 90er Jahre ein beachtliches Comeback erf\u00e4hrt &#8211; Robert Moog baut neue Theremins, \u2028neuartige Kompositionen entstehen.<\/p>\n<p>Das nach seinem Erfinder Leon Theremin benannte Musikinstrument, ein Korpus mit zwei Antennen, ist vor allem wegen seiner optisch auff\u00e4lligen Klangsteuerung bekannt geworden, bei dem die Parameter \u201eTonh\u00f6he\u201c und \u201eLautst\u00e4rke\u201c offenbar durch \u201eGesten in der Luft\u201c kontrolliert werden.<\/p>\n<p>Eine F\u00fclle an Originalwerken und Bearbeitungen f\u00fcr die um 1920 erfundene Thereminvox aus sehr verschiedenen Genres artifizieller und popul\u00e4rer Musik liegt vor. Diese St\u00fccke werden erstmals erfasst und vorgestellt.<\/p>\n<p>Erschienen ist die Arbeit im Januar 2008 beim Osnabr\u00fccker Universit\u00e4tsverlag epOs unter dem Titel <strong><em>Die Thereminvox. Konstruktion, Geschichte, Werke<\/em><\/strong>.<\/p>\n<p>Das komplette Buch steht online zur Verf\u00fcgung. Man kann daraus zitieren. Die Web- entspricht exakt der Print-Version: <a title=\"Thereminvox\" href=\"https:\/\/www.epos.uni-osnabrueck.de\/viewer\/web\/?id=74\" target=\"_blank\" rel=\"noopener noreferrer\">Flipping Book &#8211; epOs<\/a><br \/>\nMatthias Sauer: <em>Die Thereminvox.\u2028Konstruktion, Geschichte, Werke<\/em>, Osnabr\u00fcck 2008.<\/p>\n<p><strong>Weitere Ver\u00f6ffentlichungen \u00fcber die Thereminvox:<\/strong><\/p>\n<ul>\n<li>Sauer, Matthias: Die Thereminvox: <em>Instrumente und auditive Wirkung &#8211; ein \u00dcberblick<\/em>.<br \/>\nIn: Auhagen W., Bullerjahn C., H\u00f6ge H. (Hrsg.): Musikpsychologie \u00ad- Interdisziplin\u00e4re Ans\u00e4tze. Band 23. Hogrefe, G\u00f6ttingen 2013, Seite 148-153.<\/li>\n<li>Interview und Statement f\u00fcr ORF OE1 Radiokolleg \u2013 Sendung \u201eSph\u00e4renklang und Geistersang\u201c (11\/2010)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Die wissenschaftliche Studie Leon Theremin &#8211; Instrumente und ihre Musik (Phil. Diss., Mainz 2006) belegt, dass die &#8211; scheinbar historische [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":85,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-104","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/pages\/104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/klangmedium.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=104"}],"version-history":[{"count":8,"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/pages\/104\/revisions"}],"predecessor-version":[{"id":310,"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/pages\/104\/revisions\/310"}],"up":[{"embeddable":true,"href":"http:\/\/klangmedium.de\/index.php?rest_route=\/wp\/v2\/pages\/85"}],"wp:attachment":[{"href":"http:\/\/klangmedium.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}